{"id":294,"date":"2018-11-23T17:01:52","date_gmt":"2018-11-23T17:01:52","guid":{"rendered":"http:\/\/struttingplayer.co.uk\/?p=294"},"modified":"2018-11-23T17:01:53","modified_gmt":"2018-11-23T17:01:53","slug":"scene-8","status":"publish","type":"post","link":"https:\/\/struttingplayer.co.uk\/index.php\/2018\/11\/23\/scene-8\/","title":{"rendered":"Scene 8"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">ETT&#8217;s Othello<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">ETT closed its run of <em>Othello<\/em>\nat Northern Stage on Saturday night, and it was a daring take on a play which throughout\nthe 20<sup>th<\/sup> Century has traditionally portrayed \u201cOthello as simply the barbaric,\njealous black man\u201d.<a href=\"#_edn1\">[i]<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">ETT\u2019s Creative Adviser for this production, Abdul-Rehman\nMalik asks the question \u201cHow would our view of Othello change if we knew he\nwere a Muslim?\u201d<a href=\"#_edn2\">[ii]<\/a> And\nit should be asked, not least because there was an alliance between the Moroccan\nEmpire and Elizabeth I\u2019s England when Shakespeare was writing, but also it\nthrows into relief some of the issues of the play itself, as well as its\nrelevance in our time.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">To return to the ETT, Othello is played as a genuine Muslim,\nwho has assimilated the trappings of Christianity acceptable to the corrupt\nVenice of the time. However, in his most private moments, Othello brings out\nhis Muslim prayer beads, whereas in public a somewhat ostentatious cross\u00a0 \u201cis clearly seen in public \u2026 He knows not to\nappear Moor.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Let\u2019s unpick that in terms of the outcome of the play, and\nthe interpretation of ETT. Firstly, Othello has been a slave, and once free has\nrisen up the ranks of Venetian Military to the position of General. We can\nimagine the horrors of being a slave because of later documents revealing the\nconditions of ships and treatment of people,<a href=\"#_edn3\">[iii]<\/a>\nand perhaps Othello did not endure quite these conditions, it won\u2019t have been\nan easy existence. Moreover, when Othello mentions the \u201cinsolent foe\u201d<a href=\"#_edn4\">[iv]<\/a>\nis he referring to the Arab slavers who sold him, or the Venetians whom he now\nserves? In terms of ETT\u2019s interpretation, the line is subversive said to the\nsenate about the senate, and with good reason. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Victor Oshin, in the eponymous role, is a young actor, and\ndoes not try to play his character as older, and this is significant. Whatever\nelse Othello has been through, he has achieved an elevated military rank, and\nat a young age. He must have worked hard.\u00a0\nYet, he is still seen as second class, as evidenced when the senate\nreact to his marriage to Desdemona. What else must Othello do to be accepted?\nHe has proven himself on the battlefield and has converted to Christianity.\nExcept he hasn\u2019t, not genuinely, and that\u2019s understandable. He holds to his\nsense of self, which has been under assault for most of his, in this production\nat least, young life. His faith \u201cis not merely a religious confession \u2013 it is a\ncommunal and political identity.\u201d<a href=\"#_edn5\">[v]<\/a>\nAnd that would have also been the case for Venetians, with emphasis on\npolitical. Jews were segregated, Muslims sequestered, and the politics was\ncorrupt and cunning, emulating Machiavellian ideals, not the epitome of the Christianity\nthey purport to believe.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Enter Iago, the epitome of Machiavelli, who both represents\nand plays on the corruption of the state, the, interestingly, the women of Venice.\nAccording to Thomas Coryat, Venetian women were notorious, with high-born being\nindistinguishable in appearance from the Courtesans, for which Venice was\nfamous.<a href=\"#_edn6\">[vi]<\/a>\nWith Othello, in this production, being so young perhaps he was unaware of the\nmachinations of Venetian women, and is therefore easily convinced by Iago\u2019s poison.\nIt is also worth noting that whether in Venice or Cyprus, Othello is surrounded\nby masculinity, and according to Jerry Brotton, \u201ctoxic masculinity\u201d at that \u2013\nCyprus is a battlefield after all.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The point really is that Othello is not in his own world,\nand clings to it in moments of quiet and solitude. Iago uses this to Othello\u2019s\ndetriment. \u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Othello has always been a difficult play to comprehend because\nof the quick descent into jealousy and violence, and I think this production\ngoes some way towards explaining it. Brotton states \u201cAt its heart is a\ncharacter that we still do not understand.\u201d<a href=\"#_edn7\">[vii]<\/a>\nWhatever jealousy we may have felt ourselves, we cannot see ourselves in\nOthello. But maybe we shouldn\u2019t. I\u2019m a white woman; I can never empathise with\nOthello\u2019s experiences and pre-history, and I certainly can never condone his\nmurder of his wife, regardless of a director\u2019s interpretation.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Instead, there is a different point to be made. Othello has\nbeen through trauma, has been ripped from his origins, debased, has worked so\nhard for acceptance, and is still not wholly welcomed by the society he has\nsworn to protect. Add to this Iago\u2019s poisonous whisperings, and double dealing,\nwhat we see here is a \u201csobering reminder of the impact of psychological violence\non the spirit.\u201d<a href=\"#_edn8\">[viii]<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Othello\u2019s suicide, very symbolically by a blade hidden in\nhis cross, is a punishment. He has denied himself a place in Jannah through his\nact, in the same way Christians believed that suicide debars them from Heaven. He\nis not redeemable. His actions are heinous. This does not make him a Muslim\nthreat however, rather the dangerous outcome of systematic abuse, and abuse\nbecause he is \u2018other\u2019. <br \/><\/p>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"#_ednref1\">[i]<\/a> Malik,\nAbdul-Rehman. \u201cA Moor for our Time\u201d <em>Othello\n<\/em>Programme. ETT. November 2018<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"#_ednref2\">[ii]<\/a> Brotton,\nJerry. \u201cOthello and the Orient Isle\u201d <em>Othello<\/em>\nProgramme<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"#_ednref3\">[iii]<\/a> <a href=\"http:\/\/www.hisory.ac.uk\/ihr\/Focus\/Slavery\/articles\/sherwood.html\">www.hisory.ac.uk\/ihr\/Focus\/Slavery\/articles\/sherwood.html<\/a>\n<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"#_ednref4\">[iv]<\/a> Shakespeare,\nWilliam. <em>Othello<\/em> Act I: scene iii:136\n<a href=\"https:\/\/www.shakespeareswords.com\/Public\/Play.aspx?Content=Text&amp;WorkId=9&amp;Act=1&amp;Scene=3\">https:\/\/www.shakespeareswords.com\/Public\/Play.aspx?Content=Text&amp;WorkId=9&amp;Act=1&amp;Scene=3<\/a>\n<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"#_ednref5\">[v]<\/a>\nMalik<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"#_ednref6\">[vi]<\/a>\nCoryat, Thomas. <em>Coryat\u2019s Crudities<\/em>\n1611 <a href=\"http:\/\/www.archive.org\/stream\/coryatscrudities01coryuoft\/coryatscrudities01coryuoft_djvu.txt\">http:\/\/www.archive.org\/stream\/coryatscrudities01coryuoft\/coryatscrudities01coryuoft_djvu.txt<\/a>\n<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"#_ednref7\">[vii]<\/a> Brotton<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"#_ednref8\">[viii]<\/a>\nMalik<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ETT&#8217;s Othello ETT closed its run of Othello at Northern Stage on Saturday night, and it was a daring take on a play which throughout the 20th Century has traditionally portrayed \u201cOthello as simply the barbaric, jealous black man\u201d.[i] ETT\u2019s Creative Adviser for this production, Abdul-Rehman Malik asks the question [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":178,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-294","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-update"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - 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